Studio Meritis MaKOM

Foto: Ilya Rabinovich

Studio Meritis MaKOM (Joseph Semah and Linda Bouws) is aware of the urgent need to add new perspectives to the dominant Western traditional way of thinking in our globalizing world.
The Western world has been predominately manifested by iconic works of art, literature, film, theatre, philosophy, often related to traditional Christianity.
But culture is not static, it is always changing: today’s culture is tomorrow’s heritage.

Seen from this perspective, it is necessary to take a critical look at how Western culture and art are presented and why. It is also important to recognize and accept sources and traditions of other cultures.
We will be searching for new structures and a new conceptual vision which will better reflect the reality of our pluralistic society. This will require thinking out of the box, whereby the artist’s scrutiny on the creative processes in the West will play an important role.

Mission
Studio Meritis MaKOM is committed to investigate and encourage different views on the current artistic research into Western culture. New research into the existing way of thinking will lead to new and maybe forgotten information, representations and interpretations. We will develop these, analyse them and provide them with a podium.
Our aim is to stimulate a collective commitment and to make a contribution to the debate on Western art and culture by also including non-Western art and culture.

Studio Meritis MaKOM reflects and provides context for art and culture.

Studio Meritis MaKOM focuses on
– Current global developments and discussions on Western art
– Contextualization of Western art
– The significance, relevance and representation of Western art, culture and politics in a complex world of interculturalism.

© Metropool Foundation International Art Projects

www.metropool-projects.com
www.josephsemah.nl

Contact: lindabouws@gmail.com
Mob: +31(0) 620132195

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Joseph Sassoon Semah, Stedelijk Museum Amsterdam ~ Statement 20 oktober 2017

Foto: Linda Bouws

Dames en heren, dank voor uw aandacht, ik ben een heel klein beetje medeplichtig aan het ontstaan van deze avond en Margriet Schavemaker was zo attent me te vragen die achtergrond toe te lichten. In 10 minuten ga ik dat doen (of 9 1/2 ).

Toen ik enkele jaren geleden mijn eerste werk van Joseph zag, was ik in het gezelschap van een vermaard kunstkenner met grote mond, een vriend die ik nu X ga noemen.
We stonden op een tentoonstelling en ik zag… wat was het?.. bladpapier met notenbalken… een omtrek van een liggende hond? De vorm van een hut? Wat, waarom en hoe: ik zag het niet precies, maar ik dacht: hé, dát vind ik mooi! Wat een eigenzinnige wereld.
Dat mooi slikte ik nét op tijd in. Kunstkenner X had me immers geleerd: échte kunst, vinden wij niet mooi, echte kunst, vinden wij goed. Dat je iets ook nog mooi kan vinden, is volkomen onbelangrijk, oftewel: oninteressant.

Dit fascineert me: het lukt me nooit om naar eigen tevredenheid uit te leggen waarom ik een kunstwerk mooi vind. Het werk van Joseph trok me aan, zonder dat ik kennis had van de achtergrond en referenties. Ik stamelde wat over scherp pikzwart op verkleurd papier, zo wonderlijk een huisje onder een tafel geplakt en ik probeerde mijn onkunde beschaafd te maskeren door wat te mompelen over hoe interessant het opduiken van het motief van de herhaling was, misschien zei ik bij een installatie met hout en metaal zelfs wel iets als: zo sterk dat conflicterende materiaalgebruik.

Waarom is iets mooi? En waarom is iets goed? Tja, ik heb vele, véle gortdroge essays over oude en nieuwe kunst gelezen en in ieder geval wat mooi betreft besloten: hoe mooier het werk, hoe slechter erover wordt geschreven.

Gelukkig begon X me uit te leggen waarom het werk goed was. En zoals meestal in dat soort gevallen, vertelde hij niet zozeer over wat ik zag, maar vooral over waar het aan refereerde, over de ideeën waar het uit voortkwam: over de hoogstpersoonlijke zoektocht van de kunstenaar.
En even werd ik als de moderne museumbezoeker, een lid van de zwijgende massa die devoot luistert naar de audiotour op de koptelefoon en niet in een museum maar op een Open Universiteit lijkt rond te lopen. Read more

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Journal Of Anthropological Films

Film cameras, video and sound recorders have for decades been used by anthropologists as research tools, for collecting data, for documentation, for advocacy, for representing a case or a group of people, for disseminating empirical insights and for communicating research findings. For the first time in the history of Visual Anthropology anthropological film can now be published on par with written articles, assessed by peers, and inscribed in international credential systems of academic publication as the Nordic Anthropological Film Association (NAFA) has launched this first edition of Journal of Anthropological Films (JAF)

Go to: http://boap.uib.no/index.php/jaf/index

Editorial

The Nordic Anthropological Film Association (NAFA) has launched the Journal of Anthropological Films (JAF)

Film cameras, video and sound recorders have for decades been used by anthropologists as research tools, for collecting data, for documentation, for advocacy, for representing a case or a group of people, for disseminating empirical insights and for communicating research findings. For the first time in the history of Visual Anthropology anthropological film can now be published on par with written articles, assessed by peers, and inscribed in international credential systems of academic publication as the Nordic Anthropological Film Association (NAFA) has launched this first edition of Journal of Anthropological Films (JAF) published by Bergen Open Access Publishing (BOAP).

JAF publishes films that combine documentation with a narrative and aesthetic convention of cinema to communicate an anthropological understanding of a given cultural and social reality. JAF publishes films that stand alone as a complete scientific publication based on research that explore the relationship between “contemporary anthropological understandings of the world, visual and sensory perception, art and aesthetics, and the ways in which aural and visual media may be used to develop and represent those understandings” to borrow words from Paul Henley (in Flores, American Anthropologist, Vol 111, No.1, 2009:95). While most films will stand for themselves, only accompanied by an abstract, supplementary text will be accepted when it adds productively to the anthropological analysis and in case the peer-reviewers will ask for it. Read more

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Generatie Z

Generatie Z verdient bijzondere aandacht. Het gaat hierbij om de jaargangen die na 1995 zijn geboren. De leden hiervan hebben hun formatieve periode beleefd vanaf ongeveer 2000.
Wat houdt die formatieve periode in? In deze fase in de levensloop verkeren de intelligentie en het geheugenvermogen op het hoogste niveau in die levensloop. De leden van Generatie Z hebben in hun formatieve periode de ICT-Revolutie intensief ondergaan. Als gevolg hiervan zijn zij bijzonder bekwaam in het omgaan met digitale informatie en met computers.  Deze grote digitale bekwaamheid verschaft de leden van Generatie Z veel invloed op oudere generaties. Denk aan de grootvaders die bij hun computerproblemen de hulp van een kleinzoon moeten inschakelen.

Elke generatie bestaat ongeveer 95 jaar. Het aantal leden ouder dan die leeftijd is zo klein dat dit valt te verwaarlozen. Dit betekent dat Generatie Z nog vele jaren van invloed zal zijn op de oudere generaties.

Zodra de leden van Generatie Z de arbeidsmarkt betreden verwacht men van hen een grote inbreng op het gebied van de ICT. Daarbij is een lastig probleem dat de digitale denkwereld doorlopend verandert en dus de leden van Generatie Z telkens moeten bijleren. Wij kunnen van hen echter verwachten dat zij hun digitale bekwaamheden voldoende op niveau zullen houden.

Binnen Generatie Z komen wij tal van partiële generaties tegen. Denk aan de generatie van mannen en de generatie van vrouwen. Die generatie van vrouwen binnen Generatie Z is druk bezig om de emancipatie tot een nog groter succes te maken. Die emancipatie verloopt zo voorspoedig dat de leden van de generatie van mannen hun achterstand moeten gaan inhalen. Read more

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Boxing Humans

Well, moving in the academic realm is too often about boxing humans – yes, both sides going together: putting people into boxes and brutally beating them up. The following a letter I sent to relevant newspapers as comment on what is going on, how students [and lecturers] are mal-treated, disrespectful encounters when students are following their curiosity. It makes me increasingly sad, and I feel deeply ashamed …

Dear colleagues,

adding to the various discussions on ranking and formalistic approaches to studying, admission to universities and performance of third-level teaching and research, one point is easily overlooked – the following example is perhaps extreme, though not necessarily completely exceptional.

I worked for two years as professor of economics at Bangor College China, Changsha [BCC] before taking up my current position as research fellow at the Max-Planck Institute for Social Law and Social Policy in Munich, Germany. Still, one persisting bond to the previous job is concerned with writing references for some students. Some universities where students applied, accepted only references, requiring my mail-address from the previous job – but shouldn’t universities at this time and age accept that scholars are moving, following ambitions and calls in other positions? This means: they should also accept that mail addresses change, and one may even prefer to use a non-institutional address. Anyway, I mentioned the BCC-mail address – however, sending a mail to that address is answered by an auto-reply referring the sender to another address. This is the first point where the institution that was seeking the reference – the Graduate School, The Chinese University of Hong Kong – failed. They ignored the auto-reply and I did not know about the request they sent. Finally I was made aware of it [by the bright applying student], checked the dormant mail box and continued to the website for the submission of the reference. A form opened [after going through a more or less cumbersome procedure], asking for replies to multiple choice questions. I still think students are not made up of multiple choice elements, instead: they are real beings, humans with a multifaceted personality that cannot be squeezed into such forms – even when considering data-processing as an at-times appropriate tool. So, instead of ticking the boxes I preferred skipping them, attaching a recommendation letter instead. However, the system did not allow me to submit the letter unless I would first answer the multiple-choice questions which would feed into a one-dimensional profile. I complained, sent the letter as a mail attachment – and did not receive a reply by the said office of the Hong Kong University. At some stage, I agreed – honestly disgusted by the lack of qualification and respect towards students – ticked the boxes and attached the letter [again cumbersome, as one had to enter a code which was not clearly legible, not allowing to distinguish 0 and O]. I sent another letter of complaint to the Graduate School, The Chinese University of Hong Kong – which was again answered to the BCC address, and again they failed to resend the mail to the e-mail address mentioned in the auto-reply.

If these are the standards of entering higher education, one should not be surprised that at the other end, i.e. at the time of finishing studies, many people have difficulties. They feel their creativity being limited by the requirements of publishing, acquiring funding and the competition along lines of subordination under expectations instead of striving for innovation [see Maximilain Sippenauer: Doktor Bologna; Sueddeutsche Zeitung, 20.10.2017: 11]

Still, it is a bit surprising that all this is well known and still not much is changing. Surprising … ? Perhaps it is not really surprising if we consider that the income of top-administration posts increase while the income of lecturers does not follow accordingly [see for instance the article titled: Times Higher Education pay survey 2016 in The Times Higher Education;https://www.timeshighereducation.com/features/times-higher-education-pay-survey-2016%5D.

It seems that there is a long way towards ‘supporting the brightest by open systems’, overcoming the dominantadministrative policy of ‘wedge the narrowest by furthering their smart submission’.

Sincerely

Peter Herrmann

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Imagining A New Social Order: Noam Chomsky And Robert Pollin In Conversation

Prof.dr. Robert Pollin

We live in an age of illegitimate neoliberal hegemony and soaring political uncertainty. The evidence is all around: citizen disillusionment over mainstream political parties and the traditional conservative-liberal divide, massive inequality, the rise of the “alt-right,” and growing resistance to Trumpism and financial capitalism.

Yes, the present age is full of contradictions of every type and variety, and this is something that makes the goals and aims of the left for the reordering of society along the lines of a true democratic polity and in accordance with the vision of a socialist reorganization of the economy more challenging than ever before.

Noam Chomsky ~ Photo: en.wikipedia.org

In this context, the interview below, with Noam Chomsky and Robert Pollin, which appeared originally in Truthout in three separate parts, seeks to provide theoretical and practical guidance to the most pressing social, economic and political issues facing the United States today. It is part of an effort to help the left reimagine an alternative but realistic social order in an age when the old order is dying but the new has yet to be born.

Noam Chomsky is professor emeritus of linguistics at MIT and laureate professor in the department of linguistics at the University of Arizona. Robert Pollin is distinguished professor of economics and co-director of the Political Economy Research Institute at the University of Massachusetts at Amherst. These two thinkers are pathbreakers in the quest to envision a humane and equitable society, and their words can provide a helpful framework as we strive — within an oppressive system and under a repressive government — to fathom new ways of living together in the world.

C.J. Polychroniou: Noam, the rise of Donald Trump has unleashed a rather unprecedented wave of social resistance in the US. Do you think the conditions are ripe for a mass progressive/socialist movement in this country that can begin to reframe the major policy issues affecting the majority of people, and perhaps even challenge and potentially change the fundamental structures of the US political economy?

Noam Chomsky: There is indeed a wave of social resistance, more significant than in the recent past — though I’d hesitate about calling it “unprecedented.” Nevertheless, we cannot overlook the fact that in the domain of policy formation and implementation, the right is ascendant, in fact some of its harshest and most destructive elements [are rising].

Nor should we overlook a crucial fact that has been evident for some time: The figure in charge, though often ridiculed, has succeeded brilliantly in his goal of occupying media and public attention while mobilizing a very loyal popular base — and one with sinister features, sometimes smacking of totalitarianism, including adoration of The Leader. That goes beyond the core of loyal Trump supporters…. [A majority of Republicans] favor shutting down or at least fining the press if it presents “biased” or “false news” — terms that mean information rejected by The Leader, so we learn from polls showing that by overwhelming margins, Republicans not only believe Trump far more than the hated mainstream media, but even far more than their own media organ, the extreme right Fox news. And half of Republicans would back postponing the 2020 election if Trump calls for it.

It is also worth bearing in mind that among a significant part of his worshipful base, Trump is regarded as a “wavering moderate” who cannot be fully trusted to hold fast to the true faith of fierce White Christian identity politics. A recent illustration is the primary victory of the incredible Roy Moore in Alabama despite Trump’s opposition. (“Mr. President, I love you but you are wrong,” as the banners read). The victory of this Bible-thumping fanatic has led senior party strategists to [conclude] “that the conservative base now loathes its leaders in Washington the same way it detested President Barack Obama” — referring to leaders who are already so far right that one needs a powerful telescope to locate them at the outer fringe of any tolerable political spectrum.

The potential power of the ultra-right attack on the far right is [illustrated] by the fact that Moore spent about $200,000, in contrast to his Trump-backed opponent, the merely far-right Luther Strange, who received more than $10 million from the national GOP and other far-right sources. The ultra-right is spearheaded by Steve Bannon, one of the most dangerous figures in the shiver-inducing array that has come to the fore in recent years. It has the huge financial support of the Mercer family, along with ample media outreach through Breitbart news, talk radio and the rest of the toxic bubble in which loyalists trap themselves.

In the most powerful state in history, the current Republican Party is ominous enough. What is not far on the horizon is even more menacing.

Much has been said about how Trump has pulled the cork out of the bottle and legitimized neo-Nazism, rabid white supremacy, misogyny and other pathologies that had been festering beneath the surface. But it goes much beyond even that.

Read more

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