Allegories of Wildness ~ The Name, Fame And Fate Of The Nambikwara ~ Three Nambikwara Ethnohistories Of Sociocultural And Linguistic Change And Continuity ~ Contents

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A ‘primitive wild people’ that only Rondon could ‘pacify’, that was the reputation of wildness of these ‘savages’ around 1910. Not only that, Rondon also renamed them as the “Nambiquara” and hence, a few years later, this people acquiered its first fame in Brazil with a new name. Actually, colonial expansion and war had been part of their history since the seventeenth century. The crossing of the enormous Nambikwara territories by the telegraph line constructed by Rondon’s Mission produced, as far as known, the first real pacific contact. For those local groups most affected it proved as disastrous as all ‘first contacts’ without any preparation and substantial medical assistance. When Lévi-Strauss travelled through the region the so-called civilization had receded again. His research was very severely hampered by the historical consequences and by the fact the Indians still retained their political autonomy. Yet he has remarked they were the most interesting people he met and regarded this journey as his initiation in anthropological fieldwork. Tristes Tropiques made this people famous to a very large public and fixed another particular image of the Nambikwara. And then, in the seventies and eighties of the last century, the final assault took place by their being “before the bulldozer” (as written by the best known Nambikwara expert David Price). Only after a demographic catastrophy, permanent encirclement and great losses of territory, several Nambikwara local groups coalesced and emerged as peoples while many other local groups perished in this genocide. In effect, the so-called Nambikwara never were ‘one people’. This study explores the ethnohistory of the name, fame and fate of three of these peoples — the Latundê, Sabanê and Sararé — and dedicates some special attention to language loss and maintenance.

© Edwin Reesink, 2010, 2019 – Cover picture: Mísia Lins Reesink – Illustrations: Edgar Roquette-Pinto
© Rozenberg Quarterly 2010, 2019 – Amsterdam – ISBN 978 90 3610 173 8

Contents

Prologue
Part One – Name
Chapter I – Documentary ethnohistory: the convolutions of the right to territory
Chapter II – Latundê ethnohistory and their contemporary situation

Part Two – Fame
Chapter I – The string of events
Chapter II – Converging histories: Rondon, myth, ideology and petty domination

Part Three – Fate
Chapter I – Refractions of wildness: the choreography of war
Chapter 2 – The cartography of war and peace: worlds in collision

A final summation
Bibliography

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Allegories Of Wildness ~ Documentary Ethnohistory: The Convolutions Of The Right To Territory

Preliminary general framework
This Part is founded on field research completed among the Latundê as well as archived documents available at the headquarters of the Brazilian government’s Indian affairs bureau, FUNAI (Fundação Nacional do Índio), in Brasília[i]. FUNAI is the nominal institutional caretaker and protector of Indian peoples and their legal rights. It is the successor to the corrupt Indian Protection Service (known as SPI, Serviço de Proteção ao Índio). The new institution renewed the Indian policy[ii] previously in practice. Despite the good intentions of many of its employees, the official policy towards the Indian peoples has always been profoundly ethnocentric. Essentially, it views the Indians as being early evolutionary remnants and so is justified in civilizing them. Thus, aside from similarities in the bureaucratic structure and even the staff, FUNAI maintains significant ideological similarities with SPI. Moreover, in its role as the legal ward of the Indians, the organization has always been involved in a structural quagmire; it must perform its legal duties in favor of the protected while diplomatically dealing with the many opposing local and regional interests with strong political influence. Juggling these two rival concerns characterize FUNAI’s unique place in the bureaucracy within the Interior Ministry and, even today, after relocation within the Ministry of Justice.

From the beginning FUNAI’s general and wide-ranging subordination to government policies is noteworthy. During the 1970s, the legal problems of the crooked SPI and a public image tainted with massacres (such as that suffered by the Cinta Larga, northern neighbors to the Northern Nambikwara) resulted in a new legal precedent, Law 6001, known more generally as the Estatuto do Índio (1973). In the zenith of the military dictatorship, the political and civil elite pretended to demonstrate a degree of civilization and respect for certain human rights with a relatively advanced law. The government sought to exhibit its pretensions of being the defense to Western Christian civilization in a world polarized by the cold war and plagued by various armed leftist movements, contending for what they thought was a historic possibility to liberate the Brazilian people. Of course, the ‘humanistic’ or humane treatment proposed depended largely on this self image that had been particularly debated in regards to the Indian question by civil movements in the Western countries. The image projected abroad was fundamental in drawing up the terms of the law that contained the expected principles regarding the relentless course of the evolution of mankind, a philosophy supported by a number of culturalist and assimilationist anthro-pological concepts in the 1950s, theories that emphasized culture over domination and accordingly tended to predict that the Indian peoples assimilate. Ironically this movement employed some of the ideas of Darcy Ribeiro, a famous anthropologist persecuted for his political activities by the same military regime. Even so, the law extended some measure of legal protection to Indian peoples and their respective rights to land, culture and language.

In Brazil, as in many other countries, the existence of written legal rights does not guarantee their practice. On paper the law appears as a perfectly reasonable protection for peoples absolutely unequipped to deal with the scale and manner of assault they were about to suffer. In practice, however, the unofficial ideology of the vast majority of military and civil servant elite considered the Indian problem a minor and generally insignificant issue when compared to the countries’ social and economic problems. Consequently, Indian interests were habitually completely subordinated to the state, sacrificed to the higher aims of socioeconomic development. In addition, there was the menace they represented as autonomous peoples, termed ethnic enclaves in the military national security doctrine prevalent at the time [iii]. In a sense there was a shift in one of the key issues at hand; the Indian problem is not the Indian’s problem. Actually, in a way it is an issue for the ethnic majority, a White problem. This problem was brought to the Indians by the intrusive expansion of Brazilian society, an expansion that claimed their land and bodies as a natural eternal part of the state. This expansion sought to dissolve their ethnic difference with the common nation-state mantra of “one state, one nation, one people and one language”. The state symbolically expropriated their autonomy, and consequently, especially their political independence. It is no coincidence that even the progressive 1988 Constitution has no mention of indigenous peoples but opts for terms like indigenous communities. By means of laws originally totally irrelevant to native peoples, those designated as Indians became Brazilian via the encompassing state. They were and are subject to state action that would transform them in accordance with the nationalist imagination. In this sense, the conquest that begun in 1500 still continues forcefully in the persistence of the process of symbolic violence, subordination and exploitation of Indian peoples and their natural resources. Read more

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Imaging Africa: Gorillas, Actors And Characters

Africa is defined in the popular imagination by images of wild animals, savage dancing, witchcraft, the Noble Savage, and the Great White Hunter. These images typify the majority of Western and even some South African film fare on Africa.
Although there was much negative representation in these films I will discuss how films set in Africa provided opportunities for black American actors to redefine the way that Africans are imaged in international cinema. I conclude this essay with a discussion of the process of revitalisation of South African cinema after apartheid.

The study of post-apartheid cinema requires a revisionist history that brings us back to pre-apartheid periods, as argued by Isabel Balseiro and Ntongela Masilela (2003) in their book’s title, To Change Reels. The reel that needs changing is the one that most of us were using until Masilela’s New African Movement interventions (2000a/b;2003). This historical recovery has nothing to do with Afrocentricism, essentialism or African nationalisms. Rather, it involved the identification of neglected areas of analysis of how blacks themselves engaged, used and subverted film culture as South Africa lurched towards modernity at the turn of the century. Names already familiar to scholars in early South African history not surprisingly recur in this recovery, Solomon T. Plaatje being the most notable.

It is incorrect that ‘modernity denies history, as the contrast with the past – a constantly changing entity – remains a necessary point of reference’ (Outhwaite 2003: 404). Similarly, Masilela’s (2002b: 232) notion that ‘consciousness of precedent has become very nearly the condition and definition of major artistic works’ calls for a reflection on past intellectual movements in South Africa for a democratic modernity after apartheid. He draws on Thelma Gutsche’s (1972) assumption that film practice is one of the quintessential forms of modernity. However, there could be no such thing as a South African cinema under the modernist conditions of apartheid. This is where modernity’s constant pull towards the future comes into play (Outhwaite 2003). Simultaneous with the necessary break from white domination in film production, or a pull towards the future away from the conditions of apartheid, South Africans will need to re-acquire the ‘consciousness of precedent’, of the intellectual and cultural heritage of the New African Movement, such as is done in Come See the Bioscope (1997) which images Plaatjes’s mobile distribution initiative in the teens of the century. The Movement’s intellectual and cultural accomplishments in establishing a national culture in the context of modernity is a necessary point of reference for the African Renaissance to establish a national cinema in the context of the New South Africa (Masilela 2000b). Following Masilela (ibid.: 235), debates and practices that are of relevance within the New African Movement include:
1. the different structures of portrayal of Shaka in history by Thomas Mofolo and Mazisi Kunene across generic forms and in the context of nationalism and modernity;
2. the discussion and dialogue between Solomon T. Plaatje, H.I.E. Dhlomo, R.V. Selope Thema, H. Selby Msimang and Lewis Nkosi about the construction of the idea of the New African, concerning national identity and cultural identity;
3. the lessons facilitated by Charlotte Manye Maxeke and James Kwegyir Aggrey in making possible the connection between the New Negro modernity and New African modernity;
4. the discourse on the relationship between Marxism and modernity within the context of the Trotskyism of Ben Kies and I.B. Tabata and the Stalinism of Michael Harmel, Albert Nzula and Yusuf Mohammed Dadoo; and
5. the feminist political practices of Helen Joseph, Lilian Ngoyi, Phyllis Ntanatala and others.
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Journal Of Anthropological Films

Film cameras, video and sound recorders have for decades been used by anthropologists as research tools, for collecting data, for documentation, for advocacy, for representing a case or a group of people, for disseminating empirical insights and for communicating research findings. For the first time in the history of Visual Anthropology anthropological film can now be published on par with written articles, assessed by peers, and inscribed in international credential systems of academic publication as the Nordic Anthropological Film Association (NAFA) has launched this first edition of Journal of Anthropological Films (JAF)

Go to: http://boap.uib.no/index.php/jaf/index

Editorial

The Nordic Anthropological Film Association (NAFA) has launched the Journal of Anthropological Films (JAF)

Film cameras, video and sound recorders have for decades been used by anthropologists as research tools, for collecting data, for documentation, for advocacy, for representing a case or a group of people, for disseminating empirical insights and for communicating research findings. For the first time in the history of Visual Anthropology anthropological film can now be published on par with written articles, assessed by peers, and inscribed in international credential systems of academic publication as the Nordic Anthropological Film Association (NAFA) has launched this first edition of Journal of Anthropological Films (JAF) published by Bergen Open Access Publishing (BOAP).

JAF publishes films that combine documentation with a narrative and aesthetic convention of cinema to communicate an anthropological understanding of a given cultural and social reality. JAF publishes films that stand alone as a complete scientific publication based on research that explore the relationship between “contemporary anthropological understandings of the world, visual and sensory perception, art and aesthetics, and the ways in which aural and visual media may be used to develop and represent those understandings” to borrow words from Paul Henley (in Flores, American Anthropologist, Vol 111, No.1, 2009:95). While most films will stand for themselves, only accompanied by an abstract, supplementary text will be accepted when it adds productively to the anthropological analysis and in case the peer-reviewers will ask for it. Read more

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Health Communication In Southern Africa: Engaging With Social And Cultural Diversity

Contents

Introduction: Health Communication In Southern Africa; Engaging With Social And Cultural Diversity – Luuk Lagerwerf, , Henk Boer & Herman Wasserman (Eds.)

Part I: Individual And Social Network Factors
1. Condom Use In Tanzania And Zambia: A Study On The Predictive Power Of The Theory Of Planned Behaviour On Condom Use – Merel Groenenboom, Julia van Weert, & Bas van der Putte
– 2. Using Social Network Information To Design Effective Health Campaigns To Address HIV In Namibia – Rachel A. Smith
– 3. Social Capital And Communication On HIV Prevention With Young Adolescents In Kayamandi Township, South Africa – Henk Boer & Tessa A. Custers

Part II: Social Representations and Entertainment Education
– 4. The Portrayao Of HIV/AIDS In Lesotho Print Media: Fragmented Narratives And Untold Stories – Cecilia Strand
– 5. Social Representations Of HIV/AIDS In South Africa and Zambia: Lessons For Health Communication – John-Eudes Lengwe Kunda & Keyan G. Tomaselli
– 6. Edutainment Television Programmes: Tackling HIV/AIDS On The South African Broadcasting Corporation – Viola C. Milton
– 7. Edutainment Radio Programmes: The Importance Of Culturally Relevant Stories – Mia Malan

Part III: Patient Information
– 8. Using Pictograms In A Patient Information Leaflet To Communicate Antiretroviral Medicines Information To HIV/AIDS Patients In South Africa – Ros Dowse.
– 9. Understanding Motion In Static Pictures: How Do Low- Educated South Africans Evaluate Arrows In Health-Related Pictures? – Hanneke Hoogwegt, Alfons A. Maes & Carel H. van Wijk.
– 10. ‘Come, Let Me Show You’: The Use Of Props To Facilitate Communication Of Antiretroviral Dosage Instructions In Multilingual Pharmacy Interactions – Jennifer Watermeyer & Claire Penn.
– 11. Understanding South African Patient Information Leaflets: Readability And Cultural Competence – Daleen Krige & Johann C. De Wet.

Part IV: Supporting People: Practical Approaches To HIV/AIDS Communication
Individual and Social Network Factors
– 12. An Aids Awareness Programme In A Rural Area Of South Africa To Promote Participation In Voluntary Counselling And Testing – Hugo Tempelman & Adri Vermeer.

Patient Information
– 13. The Employment Of HIV Positive Young People For Health Promotion In Higher Education: A Case Studiy Of The Dramaide Health Promoters Project, South Africa – Emma Durden.
– 14. Cell Phones For Health In South Africa – Tanja E. Bosch. Read more

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Health Communication In Southern Africa: Engaging With Social And Cultural Diversity ~ Introduction

Introduction
A focus on Southern Africa as an area where more and better HIV/AIDS communication is needed cannot be better underlined than by recent figures on adults living with HIV (15-49 years): In Sub-Saharan Africa the figure stands at 11%, whereas the global percentage is 3.25% (UNAIDS, 2008). The rise in these figures over recent years can partly be accounted for by the introduction of antiretroviral therapy, which means that statistically people living with HIV have a higher life expectancy.

Still, 67% of the global HIV prevalence in 2007 was accounted for by Sub-Saharan Africa, as was 72% of the global AIDS deaths (UNAIDS, 2008). The HIV/AIDS epidemic in Southern Africa affects women more than men (60% of people living with HIV were female in Southern Africa in 2007; UNAIDS, 2008), especially regarding HIV prevalence among youth. It is within this context that this book wants to consider the role that health communication may play in combating the HIV/AIDS epidemic.

Positive outcomes of health communication
How can health communication benefit the fight against HIV/AIDS? This positive influence may apply at different levels. Communication is an important part of prevention campaigns like in the case of the ABC (Abstinence, Be faithful, use Condoms) motto, which could contribute to a decline in HIV infections. Since the HIV/AIDS epidemic in Southern Africa typically affects women more adversely than men, gender relations form an important contextual dimension of health communication. Prevention messages have to be reinforced by the empowerment of women, enabling them to change their vulnerable position in sexual relations and negotiations.

Prevention and treatment go hand in hand and both aspects should be addressed in health communication. Voluntary Counselling and Testing (VCT) is a desirable outcome for several reasons. If people are infected they can get treatment and guidance. The spreading of infections may be controlled by more knowledgeable and responsible behaviour by HIV-infected people. Being more open about VCT might also change the perceptions of people living with HIV. Health communication can take the form of campaigns for better drug regimens and adequate state support. People living with HIV/AIDS (PLWA) need to take antiretroviral medicine to avoid AIDS, and their Antiretroviral Therapy (ART) compliance might be improved by good instruction and motivation. New media technologies have created opportunities to develop support networks for social movements and non-governmental organisations working to ensure better access to anti-retroviral medicines for PLWA.

The best-known example of such a network in Southern Africa is the one built around the group Treatment Action Campaign (Berger, 2006; Wasserman, 2005). The portrayal of PLWA may be changed in a more positive direction. Mass media and government policies need to be analyzed critically to detect and change negative or undesirable social representations of HIV/AIDS, or of individuals or groups associated with the disease. Health communication may serve to counter stereotyping, vilification or marginalisation of PLWA in sections of society who are seen as undeserving of state support, e.g. prisoners, migrants, asylum seekers, or sex workers (Berger, 2006). Read more

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