With an Introduction by Milton Keynes
The Ndebele of Zimbabwe, who today constitute about twenty percent of the population of the country, have a very rich and heroic history. It is partly this rich history that constitutes a resource that reinforces their memories and sense of a particularistic identity and distinctive nation within a predominantly Shona speaking country. It is also partly later developments ranging from the colonial violence of 1893-4 and 1896-7 (Imfazo 1 and Imfazo 2); Ndebele evictions from their land under the direction of the Rhodesian colonial settler state; recurring droughts in Matabeleland; ethnic forms taken by Zimbabwean nationalism; urban events happening around the city of Bulawayo; the state-orchestrated and ethnicised violence of the 1980s targeting the Ndebele community, which became known as Gukurahundi; and other factors like perceptions and realities of frustrated economic development in Matabeleland together with ever-present threats of repetition of Gukurahundi-style violence—that have contributed to the shaping and re-shaping of Ndebele identity within Zimbabwe.
The Ndebele history is traced from the Ndwandwe of Zwide and the Zulu of Shaka. The story of how the Ndebele ended up in Zimbabwe is explained in terms of the impact of the Mfecane—a nineteenth century revolution marked by the collapse of the earlier political formations of Mthethwa, Ndwandwe, and Ngwane kingdoms replaced by new ones of the Zulu under Shaka, the Sotho under Moshweshwe, and others built out of Mfecane refugees and asylum seekers. The revolution was also characterized by violence and migration that saw some Nguni and Sotho communities burst asunder and fragmenting into fleeing groups such as the Ndebele under Mzilikazi Khumalo, the Kololo under Sebetwane, the Shangaans under Soshangane, the Ngoni under Zwangendaba, and the Swazi under Queen Nyamazana. Out of these migrations emerged new political formations like the Ndebele state, that eventually inscribed itself by a combination of coercion and persuasion in the southwestern part of the Zimbabwean plateau in 1839-1840. The migration and eventual settlement of the Ndebele in Zimbabwe is also part of the historical drama that became intertwined with another dramatic event of the migration of the Boers from Cape Colony into the interior in what is generally referred to as the Great Trek, that began in 1835. It was military clashes with the Boers that forced Mzilikazi and his followers to migrate across the Limpopo River into Zimbabwe.
As a result of the Ndebele community’s dramatic history of nation construction, their association with such groups as the Zulu of South Africa renowned for their military prowess, their heroic migration across the Limpopo, their foundation of a nation out of Nguni, Sotho, Tswana, Kalanga, Rozvi and ‘Shona’ groups, and their practice of raiding that they attracted enormous interest from early white travellers, missionaries and early anthropologists. This interest in the life and history of the Ndebele produced different representations, ranging from the Ndebele as an indomitable ‘martial tribe’ ranking alongside the Zulu, Maasai and Kikuyu, who also attracted the attention of early white literary observers, as ‘warriors’ and militaristic groups. This resulted in a combination of exoticisation and demonization that culminated in the Ndebele earning many labels such as ‘bloodthirsty destroyers’ and ‘noble savages’ within Western colonial images of Africa.
With the passage of time, the Ndebele themselves played up to some of the earlier characterizations as they sought to build a particular identity within an environment in which they were surrounded by numerically superior ‘Shona’ communities. The warrior identity suited Ndebele hegemonic ideologies. Their Shona neighbours also contributed to the image of the Ndebele as the militaristic and aggressive ‘other’. Within this discourse, the Shona portrayed themselves as victims of Ndebele raiders who constantly went away with their livestock and women—disrupting their otherwise orderly and peaceful lives. A mythology thus permeates the whole spectrum of Ndebele history, fed by distortions and exaggerations of Ndebele military prowess, the nature of Ndebele governance institutions, and the general way of life.
My interest is primarily in unpacking and exploding the mythology within Ndebele historiography while at the same time making new sense of Ndebele hegemonic ideologies. My intention is to inform the broader debate on pre-colonial African systems of governance, the conduct of politics, social control, and conceptions of human security. Therefore, the book The Ndebele Nation (see: below) delves deeper into questions of how Ndebele power was constructed, how it was institutionalized and broadcast across people of different ethnic and linguistic backgrounds. These issues are examined across the pre-colonial times up to the mid-twentieth century, a time when power resided with the early Rhodesian colonial state. I touch lightly on the question of whether the violent transition from an Ndebele hegemony to a Rhodesia settler colonial hegemony was in reality a transition from one flawed and coercive regime to another. Broadly speaking this book is an intellectual enterprise in understanding political and social dynamics that made pre-colonial Ndebele states tick; in particular, how power and authority were broadcast and exercised, including the nature of state-society relations.
What emerges from the book is that while the pre-colonial Ndebele state began as an imposition on society of Khumalo and Zansi hegemony, the state simultaneously pursued peaceful and ideological ways of winning the consent of the governed. This became the impetus for the constant and ongoing drive for ‘democratization,’ so as contain and displace the destructive centripetal forces of rebellion and subversion. Within the Ndebele state, power was constructed around a small Khumalo clan ruling in alliance with some dominant Nguni (Zansi) houses over a heterogeneous nation on the Zimbabwean plateau. The key question is how this small Khumalo group in alliance with the Zansi managed to extend their power across a majority of people of non-Nguni stock. Earlier historians over-emphasized military coercion as though violence was ever enough as a pillar of nation-building. In this book I delve deeper into a historical interrogation of key dynamics of state formation and nation-building, hegemony construction and inscription, the style of governance, the creation of human rights spaces and openings, and human security provision, in search of those attributes that made the Ndebele state tick and made it survive until it was destroyed by the violent forces of Rhodesian settler colonialism.
The book takes a broad revisionist approach involving systematic revisiting of earlier scholarly works on the Ndebele experiences in the nineteenth and twentieth centuries and critiquing them. A critical eye is cast on interpretation and making sense of key Ndebele political and social concepts and ideas that do not clearly emerge in existing literature. Throughout the book, the Ndebele historical experiences are consistently discussed in relation to a broad range of historiography and critical social theories of hegemony and human rights, and post-colonial discourses are used as tools of analysis.
Empirically and thematically, the book focuses on the complex historical processes involving the destruction of the autonomy of the decentralized Khumalo clans, their dispersal from their coastal homes in Nguniland, and the construction of Khumalo hegemony that happened in tandem with the formation of the Ndebele state in the midst of the Mfecane revolution. It further delves deeper into the examination of the expansion and maturing of the Ndebele State into a heterogeneous settled nation north of the Limpopo River. The colonial encounter with the Ndebele state dating back to the 1860s culminating in the imperialist violence of the 1890s and the subsequent colonization of the Ndebele in 1897 is also subjected to consistent analysis in this book.
What is evident is that the broad spectrum of Ndebele history was shot through with complex ambiguities and contradictions that have so far not been subjected to serious scholarly analysis. These ambiguities include tendencies and practices of domination versus resistance as the Ndebele rebelled against both pre-colonial African despots like Zwide and Shaka as well as against Rhodesian settler colonial conquest. The Ndebele fought to achieve domination, material security, political autonomy, cultural and political independence, social justice, human dignity, and tolerant governance even within their state in the face of a hegemonic Ndebele ruling elite that sought to maintain its political dominance and material privileges through a delicate combination of patronage, accountability, exploitation, and limited coercion.
The overarching analytical perspective is centred on the problem of the relation between coercion and consent during different phases of Ndebele history up to their encounter with colonialism. Major shifts from clan to state, migration to settlement, and single ethnic group to multi-ethnic society are systematically analyzed with the intention of revealing the concealed contradictions, conflict, tension, and social cleavages that permitted conquest, desertions, raiding, assimilation, domination, and exploitation, as well as social security, communalism, and tolerance. These ideologies, practices and values combined and co-existed uneasily, periodically and tendentiously within the Ndebele society. They were articulated in varied and changing idioms, languages and cultural traditions, and underpinned by complex institutions. Read more
Land is a crucial yet scarce resource in Rwanda, where about 90% of the population is engaged in subsistence farming, and access to land is increasingly becoming a source of conflict. This study examines the effects of land-access and land-tenure policies on local community relations, including ethnicity, and land conflicts in post-conflict rural Rwanda. Social relations have been characterized by (ethnic) tensions, mistrust, grief and frustration since the end of the 1990-1994 civil war and the 1994 genocide. Focusing on southeastern Rwanda, the study describes the negative consequences on social and inter-ethnic relations of a land-sharing agreement that was imposed on Tutsi returnees and the Hutu population in 1996-1997 and the villagization policy that was introduced at the same time. More recent land reforms, such as land registration and crop specialization, appear to have negatively affected land tenure and food security and have aggravated land conflicts. In addition, programmes and policies that the population have to comply with are leading to widespread poverty among peasants and aggravating communal tensions. Violence has historically often been linked to land, and the current growing resentment and fear surrounding these land-related policies and the ever-increasing land conflicts could jeopardize Rwanda’s recovery and stability.
Full text book: http://www.ascleiden.nl/news/sharing-scarcity
Africa is defined in the popular imagination by images of wild animals, savage dancing, witchcraft, the Noble Savage, and the Great White Hunter. These images typify the majority of Western and even some South African film fare on Africa.
Although there was much negative representation in these films I will discuss how films set in Africa provided opportunities for black American actors to redefine the way that Africans are imaged in international cinema. I conclude this essay with a discussion of the process of revitalisation of South African cinema after apartheid.
The study of post-apartheid cinema requires a revisionist history that brings us back to pre-apartheid periods, as argued by Isabel Balseiro and Ntongela Masilela (2003) in their book’s title, To Change Reels. The reel that needs changing is the one that most of us were using until Masilela’s New African Movement interventions (2000a/b;2003). This historical recovery has nothing to do with Afrocentricism, essentialism or African nationalisms. Rather, it involved the identification of neglected areas of analysis of how blacks themselves engaged, used and subverted film culture as South Africa lurched towards modernity at the turn of the century. Names already familiar to scholars in early South African history not surprisingly recur in this recovery, Solomon T. Plaatje being the most notable.
It is incorrect that ‘modernity denies history, as the contrast with the past – a constantly changing entity – remains a necessary point of reference’ (Outhwaite 2003: 404). Similarly, Masilela’s (2002b: 232) notion that ‘consciousness of precedent has become very nearly the condition and definition of major artistic works’ calls for a reflection on past intellectual movements in South Africa for a democratic modernity after apartheid. He draws on Thelma Gutsche’s (1972) assumption that film practice is one of the quintessential forms of modernity. However, there could be no such thing as a South African cinema under the modernist conditions of apartheid. This is where modernity’s constant pull towards the future comes into play (Outhwaite 2003). Simultaneous with the necessary break from white domination in film production, or a pull towards the future away from the conditions of apartheid, South Africans will need to re-acquire the ‘consciousness of precedent’, of the intellectual and cultural heritage of the New African Movement, such as is done in Come See the Bioscope (1997) which images Plaatjes’s mobile distribution initiative in the teens of the century. The Movement’s intellectual and cultural accomplishments in establishing a national culture in the context of modernity is a necessary point of reference for the African Renaissance to establish a national cinema in the context of the New South Africa (Masilela 2000b). Following Masilela (ibid.: 235), debates and practices that are of relevance within the New African Movement include:
1. the different structures of portrayal of Shaka in history by Thomas Mofolo and Mazisi Kunene across generic forms and in the context of nationalism and modernity;
2. the discussion and dialogue between Solomon T. Plaatje, H.I.E. Dhlomo, R.V. Selope Thema, H. Selby Msimang and Lewis Nkosi about the construction of the idea of the New African, concerning national identity and cultural identity;
3. the lessons facilitated by Charlotte Manye Maxeke and James Kwegyir Aggrey in making possible the connection between the New Negro modernity and New African modernity;
4. the discourse on the relationship between Marxism and modernity within the context of the Trotskyism of Ben Kies and I.B. Tabata and the Stalinism of Michael Harmel, Albert Nzula and Yusuf Mohammed Dadoo; and
5. the feminist political practices of Helen Joseph, Lilian Ngoyi, Phyllis Ntanatala and others.
Rozenberg Quarterly will publish on paper and online:
Jan Briffaerts – When Congo wants to go to school. Educational realities in a colonial context. An investigation into educational practices in primary education in the Belgian Congo (1925-1960) – Pb – 420 pag. – € 39,50 – ISBN 978 90 3610 144 8 – 2014
The education system in the Congo was widely considered to be one of the best in colonial Africa, in particular because of its broad reach among the Congolese youth. At independence however, the wake-up call was brutal as soon it became clear that the colonial educational system had neglected to form an educated class of people able to cope with administrating one of Africa’s biggest and economically most important countries. To be able to understand the mechanisms and effects of missionary education it is most enlightening to go back to the classroom and investigate the everyday reality of school. What did missionary education do exactly, how did it work, what did it teach, and how did it relate to its subjects, the children of the Congo?
This study gives clear insights into the everyday realities of colonial education. It is the result of historical research into educational practices and realities in catholic missionary schools in the Tshuapa region, located in the south of the Congolese province of Equateur. It is based on a rich array of historical source material, ranging from missionary archives and mission periodicals through to contemporary literature and interviews with missionnaries and former pupils who experienced colonial education themselves. The title, “When Congo wants to go to school… ” refers to one of many articles published in Belgian mission periodicals on the subject of the education and civilisation work carried out by missionaries in the Belgian colony.
The complete book now online:
Introduction & A Few Preliminary Remarks
Educational Organisation In The Belgian Congo (1908-1958)
The Missionaries And The Belgian Congo: Preparation, Ideas And Conceptions Of The Missionaries
Catholic Missions In The Tshuapa Region
The research project that formed the foundation for this study grew from a few existing lines of research. On the one hand it relates to research on the so-called Belgian civilisation project in the Congo, on the other to research into the micro-history of education in Belgium. Both my promoter and I have some experience in research into colonial education. Marc Depaepe’s work on the colonial phenomenon grew out of a representative, personal connection to it. As with many Flemish people, the colonial past was a part of his family history. The letters from his great aunt, Sister Maria Adonia Depaepe, a missionary in the Congo between 1909 and 1961, which he later published, are a testimony to this. Her personal documents were published as part of a project on the history of education, more specifically the missionary action of the Belgians in the former colony. The result was a general study at a macro level based on the theory of historical education, focussing in on the educational policy and institutional development of colonial education. At about the time this book was published I was writing an extended paper in the framework of the “Historische kritiek” (tr. Historical criticism) lectures in the history department at the Vrije Universiteit Brussels. The subject of my paper was the “school struggle” in the nineteen fifties in the Belgian Congo. This paper really related to a part of political history and the political players behind colonial education, particularly in Belgium and to a limited extent the Belgian Congo. Some years later the content of the paper was presented at a colloquium on 50 years of the school pact (2nd and 3rd December 1998, V.U.B.) and published in the resulting conference notes. Read more
A rich Central American culture is fast disappearing in the wake of immigration and integration. This film chronicles the challenges and struggles of the Garifuna people to preserve their identity. The story serves as a microcosmic example of the loss of time-honored customs in a world that is increasingly becoming one homogenous international culture.
A Ben Petersen Film
A Brigham Young University Communications Department Production
Produced, directed, and edited by Ben Petersen
Additional footage provided by: Jared Johnson, Dale Green and Jorge Zuniga.
Funding Provided by the BYU Office of Research and Creative Activities, BYU Communications Department and the B&A Trust Fund.
Music by Michael Bahnmiller. “Ba-ba” by Aziatic.