Video lecture on the wide & wild world of the YODEL based on the book YODEL IN HIFI. This film premiered in LONDON on 11 March 2014 at the Peckham Liberal Club as part of the Muckle Mouth series. Book YODEL IN HIFI: From Kitsch Folk to Contemporary Electronica. For info:http://uwpress.wisc.edu/
Break the voice and you enter the marrow of existence. The film documents the ubiquitous and unique presence of yodeling just about everywhere. From roots deep in the earth to soundings that probe deep space… And no genre is safe: opera, hiphop, rock, pop, folk, jazz, house, techno, reggae… FEATURES: Werner Herzog, Bernhard Betschart, Phil Minton, Myriam van Imschoot & Doreen Kutzke, Barbara Hannigan, Taylor Ware, Francelle Maria, Drag Queen Lady KinMee, Dominatrix Manuela Horn, a yodeling cat, Tarzan, Bob Marley, Aka Pygmies, Prison work songs, hollerin’, Jimmie Rodgers, SE Rogie, Mike Johnson, Kia Brekkan, Kishore Kumar, Cyrill Schläpfer, Erika Stucky, Christine Lauterburg, Alice Babs, Focus, Mental Theo & Charly Lownoise, Bobbejaan Schoepen, Honeymoon Killers, Harry Torrani, George Van Dusen, Brian Eno, Cranberries, Buzzcocks, People Like Us, Mysterious Asthmatic Avenger, Shelley Hirsch, Jacques Dutronc, Munich House Mafia, Franzl Lang, Fatima Miranda, Kristina Fuchs, Zabine, Meredith Monk, Neil Rolnick, Anna Kiefer, Paul Dutton, Mij, Tim Buckley, Slim Whitman, Mal Webb, Wandervogels, Chinese yodeling, tea-picking yodels, Korean, Japanese, Filipino, Basques, Cambodian, Taiwanese, Persian, Tuvan, Georgian…
This film uses original footage but mostly relies on found and archival footage. My hope & goal is to make a feature length documentary using high quality stock and more original footage. I am looking to partner with a producer and filmmaker with interest in the subject.
All sources & credits for found footage used in this film available upon request.
Yodel in HiFi: From Kitsch Folk to Contemporary Electronica :: http://uwpress.wisc.edu/books/4594.htm
YODEL-AY-EE-OOOO: The Secret History of Yodeling Around the World :: http://www.routledge.com/
Wreck This Mess Radio :: http://www.mixcloud.com/wreckthismess/
Youtube Channel: https://www.youtube.com/channel/
Bart Plantenga is a freelance researcher, writer, translator, and editor. He is the author of Yodel-Ay-Ee-Oooo: The Secret History of Yodeling around the World and the compiler of the CD Rough Guide to Yodel. He lives and works in Amsterdam and is the disc jockey of radio show Wreck This Mess.
Impressies van het eiland Bonaire. Luchtopnames zoals de hoofdplaats Kralendijk. Stadsshots en straatshots, o.a. het Gouvernementsgebouwen en de haven. Landschapsshots: droog en stoffig met metershoge cactussen; zoutwatermeren met mangroves; een kudde geiten. Strandbeelden: bergen schelpen liggen gereed voor de handel; inheemse vissers boeten netten; op sommige rotsen staan nog Indiaanse tekeningen van vroeger; de zgn. “slavenmuren” omheinen stukken grond (voormalig grondbezit van plantage-eigenaren). De rotsige noordkust: de zee loopt er met hoge golven tegen te pletter.
Nederlands Instituut voor Beeld en Geluid (YouTube kanaal)
Dirección: Arthur Elton y Edgar Anstey
Duración: 17 mins.
Producción: Arthur Elton, E.H. Anstey
Compañía Productora: British Commercial Gas Association
Fotografía: John Taylor
El film explora el movimiento de familias desde tugurios urbanos a viviendas sociales consolidadas, y constituye una de las cintas claves del género documental de todos los tiempos, ya que fue la primera en mostrar a personas hablando directamente a la cámara acerca de sus problemas cotidianos. A través de dichos relatos, los directores construyen un argumento de denuncia y a la vez de esperanza, muy acorde al espíritu británico moderno del entre-guerras.
“Housing problems” | London, 1935 | Production Arthur Elton, E.H. Anstey, for the B.C.G.A.
Photography John Taylor, Recording York Scarlett |15 minutes, b/n, sound
“Made by Arthur Elton and Edgard Anstey in 1935 for the British Commercial Gas Association. Housing Problems was produced to draw attention to the state housing programmes. According to Erik Barnouw, the author of Documentary. A history of non-fiction film (1993), it was Grierson, one of the more renowned English documentary makers, who convinced the gas company of the importance of making the film: ‘…the demolition of derelict slums and their replacement by governement-finacing housing – a key demand of the socialist Labour party – would inevitably bring modernization and increased use of gas. Thus the company financed a film of blunt and moving protest”
by L. Ciacci, ‘Movies’ Column, Planum. The Journal of Urbanism planum.net
A lecture covering the life and philosophy of Ludwig Wittgenstein. For information on upcoming lectures, essays, and books by Wesley Cecil Ph.D.
Bertrand Russell ~ Introduction. Mr. Wittgenstein’s Tractatus Logico-Philosophicus, whether or not it prove to give the ultimate truth on the matters with which it deals, certainly deserves, by its breadth and scope and profundity, to be considered an important event in the philosophical world. Starting from the principles of Symbolism and the relations which are necessary between words and things in any language, it applies the result of this inquiry to various departments of traditional philosophy, showing in each case how traditional philosophy and traditional solutions arise out of ignorance of the principles of Symbolism and out of misuse of language. The logical structure of propositions and the nature of logical inference are first dealt with. Thence we pass successively to Theory of Knowledge, Principles of Physics, Ethics, and finally the Mystical (das Mystische). In order to understand Mr. Wittgenstein’s book, it is necessary to realize what is the problem with which he is concerned. In the part of his theory which deals with Symbolism he is concerned with the conditions which would have to be fulfilled by a logically perfect language. There are various problems as regards language.
Gutenberg.org ~ Tractatus Logico-Philosophicus
Wesley Cecil is a philosophy professor at Peninsula college.
The Trial is a 1993 film based on Harold Pinter’s screenplay adaptation of Franz Kafka’s 1925 novel The Trial.
Directed by David Jones and produced by Jan Balzer and Louis Marks, the film stars Kyle MacLachlan and has cameo appearances by several prominent British actors, including Anthony Hopkins, Juliet Stevenson, Alfred Molina, David Thewlis, and Michael Kitchen.
Can architecture be a form of political intervention? This question is central to the work of Eyal Weizman, a writer, architect, and director of the Centre for Research Architecture at Goldsmiths, University of London. For this talk, Weizman discusses his approach to architecture as a research-led collaborative practice. Often working with an interdisciplinary team—artists, urbanists, forensic scientists, archaeologists, human rights advocates—he analyzes vacated buildings, maps, satellite imagery, and other spatial artifacts to unravel the contested politics in sites of conflict and violence, including Palestine, the Former Yugoslavia, and Guatemala, among others.
This lecture is presented in conjunction with Sacred Space/Contested Terrain, an interdisciplinary exhibition organized by the University of Minnesota’s Katherine E. Nash Gallery, School of Architecture, Department of Art, and Program in Religious Studies in collaboration with the Walker.
Weizman directs the European Research Council–funded project Forensic Architecture. He is one of the cofounders of the architectural collective DAAR—Decolonizing Architecture Art Residency—in Beit Sahour, Palestine. His books include The Least of all Possible Evils (2012), Mengele’s Skull (with Tom Keenan, 2012) Hollow Land (2007), and A Civilian Occupation (2003). Weizman is a regular contributor and an editorial board member for several journals and magazines, including Humanity, Cabinet, and Inflexions, and has lectured extensively around the world.