ISSA Proceedings 1998 – The Improvement Of Teacher Training In Philosophy For Children Through The Pragma Dialectic Approach

• by: Ana Maria Vicuña - Pontificia Universidad Catolica de Chile

In this paper I intend to argue that teacher training in the Philosophy for Children Program can be significantly improved through the Pragma Dialectical Approach. For that purpose, I will first make a brief and necessarily sketchy presentation of the fundamentals of the Philosophy for Children Program. Then I will make a few comments on its potential for an education for democracy, making specific reference to the Chilean experience. Next I intend to discuss the concept of a “Community of Inquiry”, central to the Philosophy for Children Program , in order to show 1) how the building of such a community can contribute to the development of reasoning skills and democratic attitudes in the participants and 2) what is expected from the Philosophy for Children teacher.
Based on this discussion, I intend to reflect on what I see as some shortcomings, as far as helping teachers meet those expectations, in the presentation of the formal and informal logic contents of the novels and teacher manuals, which are the standard materials used for teacher training in the Program. I shall also comment on the bearing that the usual structure and length of the Workshops may have on the results of that training.
Finally, I intend to show how the Pragma Dialectical Approach can help overcome the difficulties and contribute to improve the teachers’ training. For this purpose, I shall discuss some features of the Pragma Dialectical Approach such as the formulation of a code of conduct for rational discussants and the analysis and evaluation of various types of argument attempting to show how these can help the teachers in training become the kind of model of reasonableness that the Philosophy for Children Program expects them to be.

1. The Philosophy for Children Program
The Philosophy for Children Program is deservedly renown and appreciated worldwide for its merits in helping to develop reasoning skills and reasonableness in children through philosophical dialogue. Using philosophical novels for children, the teachers trained in the Program are able to organize lively discussions in the classroom about things that matter to the students, thus breaking the monotony and lack of meaning of which traditional education, through the imposition of an “Adult Agenda”, is usually accused.
As Matthew Lipman, creator of the Philosophy for Children Program explains, the main purpose of the Program is “to help children learn how to think for themselves” (Lipman, Sharp & Oscanyan,198O: 53). Rather than aiming at teaching philosophical topics to children, the Program aims at helping them “to think philosophically” (Bosch,1992:18).
According to Lipman (Lipman, Sharp & Oscanyan,1980: 22), the most adequate means for stimulating thinking is dialogue. When we are intensely engaged in dialogue about things that matter to us vitally, says Lipman, we perform a number of mental activities such as listening attentively, considering carefully, rehearsing what we might say next, establishing connections with what others have said or written on the topic earlier or somewhere else, trying to figure out what the speaker is aiming at and what the assumptions are from which he or she is starting, etc. In other words, although we may not be aware of that, we are exercising our reasoning skills and thus stimulating their development. The same applies to children. Therefore, if we manage to engage them in dialogues that are meaningful for them, Lipman argues, we will contribute to develop their reasoning skills. If we help them, in this process, to become  more sensitive to the variety of perspectives and the complexity of the problems involved, we will contribute to develop their reasonableness. Read more

ISSA Proceedings 1998 – The Guggenheim: A Rhetorical Turn In Architecture

• by: Philip C. Wander - West Valley College & Michael Lorimer - San Jose State University

1. Introduction
This essay represents a preliminary report on ongoing conversations between Michael Lorimer and myself over the connections between architecture and rhetoric. Michael not only teaches architecture but he is also a practicing architect. He has designed churches, hospitals, homes and office buildings, and added an extension to the local art museum. In order to indicate the tenor of our exchanges, let me offer a transcript of a recent dialogue we had at Michael’s home over a cup of tea.
“There is for me,” I began, “a profound difference between structures designed for religious organizations and those designed for domestic or commercial purposes. Commercial buildings find their foundations in the bottom line, while Catholic and Protestant Churches as well as Taoist and Buddhist temples, by way of contrast, have as one of their purposes the inspiration and instruction of the faithful. We recognize this difference in our experience of sacred in contrast to secular space.”
Ponderous, I admit, but it reflected my honest experience and a modest amount of thinking on the subject. Michael is a good listener, but he had an odd look on his face. When I had finished, he leaned back from the table and, without even a hint of irony, responded. “There is,” he said, no real difference, from an architectural point of view, between secular and religious structures. Both take as their goal the manipulation of people. What you refer to as “the sacred” and assume a difference in the response of those who enter such spaces has much to do with structure. Is the purpose to fill people with awe or to engender a sense of community? Is it to move them, in procession, from one point to another or to have them gather together as a family? A reverential attitude arises out of certain kinds of structures and is blunted by others. Your attitude about “sacred space” is evidence that the structure achieved its desired effect. He saw that I was puzzled, so he went on to explain this in architectural terms:
Department stores, churches, and casinos all try to divorce you from the outside. None of them has clear glass windows. Airports and fast-food restaurants, on the others hand, try to move you quickly from point A to point B, from inside the structure to outside the structure. Harsh lighting, uninviting colors, noise, a clear vision of the out-of-doors announces their purpose and accounts for the response, seemingly voluntary, of flyers and customers. This all made sense to me, but I asked him if he thought that reflected what architects he knew generally thought or how they are trained in the universities or if this represented his peculiar take on
the subject.

The above is a reasonably accurate transcription, as I took notes on it during and immediately after the exchange. I report it less because I think it conveys something profound, though it certainly did for me, but because it highlights a way of knowing that precedes recorded history and continues to inform the production, reading, and interpretation of books and articles. It is a way of knowing that operates in villages and towns, developed and developing countries, among the rich and poor, those who possess word processors and those who have never heard of them. I report it because academic writing, by its very nature conceals this process, substituting in its place a product, a text flattening out everything into soundless marks on a page or, in the case of this conference, represents presentations filled, one hopes, with lively exchanges afterward into a chapter in these “conference proceedings.”
It is important to mark this product-process confusion for a number of reasons, not the least of which is to avoid the silliness that comes from a gradual disengagement from the world of affairs into a quasi-monastic retreat into books, libraries, and web-sites. Leaving off this little polemic in favor of earthy, here and now dialogue, I return to the topic of the new Guggenheim, a rhetorical turn in architecture, and the degree to which Michael’s understanding of architects and architecture, which is remarkably friendly to rhetoric, is somehow representative. Read more

ISSA Proceedings 1998 – Truth and Argument

• by: Mark Weinstein - Montclair State University

Truth is deeply complicit in argument wherever logic is, for independent of the purposes of different argument kinds, in so far as they use standard logic they are compelled by its underlying theory of truth. And the notions of truth underlying the two giant contributions in the history of logic: that of Aristotle, and that of the logicians preoccupied with the foundations of mathematics in the early twentieth century – show deep theoretical and even metaphysical assumptions that make them suspect as the underlying theory of a logic adequate to support the theory of argument as currently construed. That is, argument seen as the rational core of ordinary and specialized discourse of the widest variety of sorts. Such a theory of argument with a clear empirical and practical component cannot assume the usefulness of underlying images of logic drawn from rather different conceptions of how reason manifests itself in discourse.
First: as to the problems with the logical core James Herman Randall, in his classic exposition of Aristotle, offers a complex view of the relationship between truth, logic and inquiry. The to dioti – the why of things, connects apparent truths, the peri ho, with explanatory frameworks, through the archai of demonstration, that serve as ta prota, the first things – a true foundation for apparent truths. Although Aristotle was more ‘post modern’ then many of those that work in his tradition, the archai after all were subject matter specific, the envisioning of archai readily knowable if not known, reflected a classic and overarching optimism about knowledge. This enabled Aristotle to graft a determinate logic onto the various indeterminancies inherent in much of inquiry.
Logic is central in dialogue as well: to dialegesthai, the premise seeking activity that seeks to identify the appropriate archai of kinds of things. The theory of the syllogism, along with eristics, offers the basic tools of the logikos or dialectikos, one who thinks and questions.

When all works well, the result is the demonstrative syllogism, apodeixis which shows the necessity of a that, a hoti, in light of the dioti, the cause, in relation to the archai. From whence the archai? Quoting Randall, by “”experience” of facts, by repeated observations, we become aware of the archai, the universal that is implicit in them.” Citing Aristotle: “When the observation of instances is often repeated, the universal that is there becomes plain” pp. 42-3. Such a crude inductivist epistemologically has little appeal to moderns  and offers little danger for modern views of inquiry, but Aristotle’s logic, remains within the normative core. That is perhaps even worse for understanding inquiry, for unlike the crude inductivism which is quickly seen as too crude, his logic has both necessity and inherent plausibility. The result: the basic truth structure of his logic has been built into the normative structure of reasoning from his time till now.
The problem is how to distinguish the archai from among endoxa, the merely accepted opinions prevalent at the time. Again Randall “It is nous, working with and in the midst of facts, working in the subject matter itself, that ”sees” the truth of the archai“ p. 44. Not in Platonic isolation, to be sure, but in the context of subject matter. But still, this noetic ‘recognizing’ shares with Plato’s view a phenomenological (Randall calls it ‘psychological’ (ibid.)), rather than a logical account of what it means to come to see the truth of archai. Read more

ISSA Proceedings 1998 – Encompassing And Enacting Dialectic: Kenneth Burke’s Theory Of Dramatism

• by: David Cratis Williams - University of Puerto Rico

The work of American self-described “wordman”, Kenneth Burke, is having tremendous impact on rhetorical and literary theory and criticism, speech communication, sociology, and many other academic areas, including in some small ways argumentation.Despite this recent attention, particularly in the work of Arnie Madsen (1989, 1991, 1993) and James Klumpp (1993) as well as the recent special issue of Argumentation and Advocacy on “Dramatism and Argumentation” (1993) and occasional argument criticisms which invoke Burkean perspectives, Burke’s work still remains relatively unknown to many argumentation scholars, and potential contributions of Burkean theory to argumentation studies remain to be developed fully. Moreover, as Madsen (1993) observed, “the works of Kenneth Burke have gone relatively unnoticed in the field of argumentation theory” (164). And although it is certainly true that “Burke offers no systematic and complete theory of argument” (Parson, 1993, 145), it is also nonetheless equally the case that Burke’s work on human symbol systems and motives, summarized as his theory of “dramatism,” encompasses the traditional domains of rhetoric, poetic, and dialectic, thereby at least by most traditional accounts encompassing as well argumentation (See van Eemeren, Grootendorst, and Kruiger), subsuming, re-defining, and re-positioning “argument” within the orientation of “dramatism.”
The current study attempts to “locate” argumentation within Burke’s theoretical edifice, dramatism, and, more generally, to examine how “dramatism” transforms traditional approaches to “rationality.” As “rationality” is transformed, so too, necessarily, is argumentation. The specific objectives of this paper are per force more restricted. I will sketch, generally and broadly, dramatism’s encompassing argument move, with its attendent transformations of “rationality.” Second, and a bit more specifically, I will offer a description of Burke’s theory of dialectics, before concluding with some remarks suggesting how, via the agency of Burke’s “psychologized” rhetoric of identification, dialectic becomes enacted as what Burke calls the “great drama of human relations” (1955, 263).

I
Burke’s “Dramatism” is set forth broadly in his informal Motivorum Trilogy: A Grammar of Motives (1945), which treats generally of dialectics and transformational processes, A Rhetoric of Motives (1950), which treats of rhetoric as “consubstantial” with “identification,” and A Symbolic of Motives (unpublished), which treats of poetics and ethics variously (depending upon which design for the unfinished project is featured) from within the orientation of “dramatism.” A related manuscript, Poetics, Dramatistically Considered (unpublished), is a relatively complete treatment of precisely what the title promises; it may be a re-titled version of what began as A Symbolic.[i] Burke’s proposed “trilogy” of “a grammar,” which centered generally and paradoxically on dialectics, “a rhetoric,” and “a symbolic,” which subsumed both poetics and ethics, parallels in many ways classical formulations including the trivium,[ii] but Burke’s interests, lying at the intersection of language, psychology, and circumstance, focus concern on human motives rather than upon probable truth, “right” action, or divine telos. As such, “’finding’ a theory of argument, or positions that inform argument theory,” in Burke’s writings, Parson suggests, “will be an inferential process” (146; see also Madsen, 1993, 165). But given the sweeping nature of the Motivorum project, the process is not one of merely extending the domain of “dramatism,” a theory derived most explicitly from literary studies, to the domain of “argumentation,” for “dramatism” in subsuming and re-defining “dialectic” and “rhetoric” has already positioned itself atop much of the traditional “argument” domain. And in so-doing, it transformed the nature and function of argumentation itself. As Klumpp (1993) puts it, a “rapprochement” between mainstream argumentation studies and Burkean studies takes one more “toward adapting argumentation rather than dramatism” (149). One important reason for this is that frequently argumentation studies appears as a Phoenix arisen amid the detritus of formal logics, remaining under the sign of “Reason” and genuflecting instinctively toward Reason’s traditional consort, Truth. Burke’s orientation explicitly re-defines “rationality” and de-privileges, indeed de-stabilizes, truth. For a “rapprochement,” to borrow Klumpp’s terminology, to occur, “argumentation” needs to be approached from within the orientations of dramatism; that is, perhaps the most productive point of entry into a “conversation” between dramatism and argumentation is not “Where does dramatism ‘fit’ in argumentation?” but rather “Where does argumentation ‘fit’ in dramatism?” Read more

ISSA Proceedings 1998 – The Effects Of Dialectical Fallacies In Interpersonal And Small Group Discussions: Empirical Evidence For The Pragma-Dialectical Approach

• by: Harry Weger, Jr. - Western Michigan University

1. Introduction
Since Brockriede (1975) and O’Keefe (1977) publicly recognized the importance of studying arguments as they are made in the context of everyday discourse (O’Keefe’s argument2), argumentation scholars have been increasingly interested in studying the phenomenon in terms of its value as a communication activity rather than a logical exercise. Rhetoricians have long been interested in the function of argumentation in persuading an audience but it has only been recently that argumentation scholars have taken up the task of examining how patterns of reason giving are created and used by those involved in everyday conversation. Scholars such as Jackson & Jacobs (1980), Trapp (1983), Walton (1992), and van Eemeren and his colleagues (e.g., van Eemeren & Grootendorst, 1992; van Eemeren, Grootendorst, Jackson, & Jacobs, 1993) have extended the study of  argumentation from the study of formal and informal logic structures to the study of the ways in which arguments function in resolving disputational communication.
One of the first and most productive lines of inquiry regarding the study of argumentation as it occurs in discourse has been the pragma-dialectical approach originating with van Eemeren & Grootendorst (1992). The pragma-dialectical (PD) perspective extends the traditional normative logical approach of evaluating arguments by creating standards for reasonableness that have a functional rather than a structural focus. An argument is evaluated in terms of its usefulness in moving a critical discussion toward a well reasoned resolution rather than concentrating exclusively on the relationship of premises to conclusions. The PD approach recognizes the importance of normative standards for judging the strength or cogency of single argumentative acts but in addition recognizes that arguments are constructed in order to achieve a communicative goal.
As evaluative criteria for the quality of arguments, the PD posits several normative guidelines for how communication in resolving or managing a dispute should proceed. While several argumentation scholars have elaborated, extended, or some way adopted portions of PD (e.g., Walton, 1992; Weger & Jacobs, 1995), there has been little direct empirical research seeking to verify that the violation of the kinds of discussion rules identified by van Eemeren & Grootendorst (1992) indeed causes problems in the management of disagreements. The purpose of this essay is to examine empirical research in interpersonal and small group argument in order to discover what harms, if any, result from the violation of rules for critical discussion. The essay will begin by examining the effects of following and violating discussions rules on the ability to resolve disputes and the quality of the decisions that result. The next section of the essay will examine the interpersonal and relational outcomes that are associated with following or violating discussion rules as articulated by van Eemeren and his associates.

In Argumentation, Communication and Fallacies, van Eemeren & Grootendorst (1992) lay the foundation for the pragmadialectical approach to argumentation study. They begin by arguing that the standard treatment of argumentation and fallacies either ignores the communicative functions in favor of examining reason/claim relationships or abandon entirely normative standards of evaluation in favor of examining whether the argument achieves the goal of gaining the acceptance of an audience. The traditional logical approach evaluates arguments based on decontextualized, abstract structural features of arguments that are applied across situations. The rhetorical perspective, on the other hand, tends to evaluates the quality of an argument in terms of its persuasiveness. PD provides an advance on these perspectives by suggesting that normative guidelines for evaluating the quality of an argument requires attention to the communicative functions served by arguing as well as the logical structure of the lines of reasoning used in the dialogue.
The functional perspective on argument is based first on the belief that argumentation is a communicative activity. And second, it is based on a functional view of communication in which messages are studied in terms of the purposes they serve and the goals they achieve. At its most fundamental level, the purpose of argumentative dialogue is the resolution and management of real or potential disputes. Therefore, it is a mistake to evaluate arguments out of the context in which they are used or in a way that looks only at the logical structure without a description of the way certain argumentative moves effect the ability to manage or resolve a dispute based on good reasons. A functional perspective requires that arguments be studied, in part, by how they contribute to the communicative goals of resolving or managing a dispute. Read more

ISSA Proceedings 1998 – Linguistically Sound Arguments

• by: George Ziegelmueller - Wayne State University & Donn W. Parson - University of Kansas

The centuries-long discussion as to what constitutes “good” argument has often found supporters and opponents on the basis of the standards selected to evaluate argument. Ancient standards of technical validity have been the subject of some twentieth-century scrutiny. No issue is more fundamental to the study of argumentation than the question of what constitutes good argument. Our legitimacy as critics, practitioners and teachers of argumentation rests upon our ability to evaluate, construct and describe good arguments. Historically, argument scholars have relied primarily upon formal standards borrowed from the field of logic to provide necessary evaluative criteria. In the latter half of this century, however, those criteria have increasingly been attacked as being inappropriate or, at least, insufficient for the study of both public and personal argumentative discourse. Stephen Toulmin has suggested we replace the mathematical model of argument with one from jurisprudence, thus focusing on the soundness of the claims we make, especially as we use argument in “garden variety discourse.”(Toulmin, 1958). Other theorists quickly followed Toulmin’s lead.

1. Recent Interpretations of Good Argument
While a few theorists (Willard, 1979) have gone so far as to reject logical standards, most others continue to recognize their usefulness as a part of broader schemas for evaluation of argument. Toulmin’s dissatisfaction with the rigidity and formalism of logic led him to propose a more open and flexible model of argument and to suggest that the evaluation of arguments involves the application of both traditional field invariant standards and previously overlooked field specific standards (Toulmin, 1958). Perelman and Olbrechts-Tyteca have advanced the concept of the universal audience composed of critical listeners, which presumably restrains advocates from making spurious arguments. At the same time, they suggest we consider adherence as the goal of argument, a focus on the intersection of psychological effects and logical strength (Perelman and Olbrechts-Tyteca, 1969). Drawing on the work of earlier scholars, McKerrow describes a good argument as one  which provides “pragmatic justification (McKerrow, 1977). This interpretation places emphasis on the “rational perusal of arguments” by an audience in a dialectic-like relationship. Farrell interprets validity in terms of “soundness” of a rhetorical argument. An argument is sound if it conforms to three conditions:
1. is addressed to an empowered and involved audience,
2. conforms to the consensual standards of the specific field, and
3. is consistent with social knowledge (Farrell, 1977).

Zarefsky defines good argument as one that is “reasonable,” and one is reasonable if “the form of inference is free of obvious defects, and the underlying assumptions of the argument are shared by the audience” (Zarefsky,1981:88).

Collectively, these authors and others suggest that good arguments are ones that have, at least, some claim to rationality and are based upon premises and standards acceptable to the specific audiences being addressed. While these conditions serve as minimal standards for good argument, they are, in our judgment, incomplete and lacking in explanatory power. What is missing from current analyses is a consideration of the role of language. Careful language usage is necessary for the construction of sound arguments, and effective language is the key to persuasive argumentation. We define a good argument as one that is linguistically sound. The term “linguistically sound” is intended to encompass three conditions. A linguistically sound argument:
1. conforms to the traditional field invariant standards of inductive and deductive argument,
2. is based upon data appropriate to the audience and field, and
3. is expressed in language that enhances the evocative and ethical force of argument.

In the sections that follow, we will demonstrate how each of these conditions is linguistically based and how a linguistic perspective helps to explain the strength of the argument. Read more