Zeynep Gunduz & Marjan Delzenne – Budget Monitoring And Citizen Participation In The Netherlands
This paper describes the methodology of budgetmonitoring and its operationalization via the project in the Indische Neighborhood. The 12-month pilot project was realized by The Centre for Budget Monitoring and Citizen Participation, in collaboration with E-motive, University of Applied Science in Amsterdam (HvA), MOVISIE and members of local communities in the neighborhood.
The launch of the Center for Budget Monitoring and Citizen Participation in the Netherlands
The idea to implement budget monitoring in the Netherlands was initiated by E-Motive of Oxfam-Novib. E-Motive connects knowledge and expertise from developing countries to Dutch professionals. In 2010, E-Motive introduced a group of social professionals in the Netherlands to INESC (Institute of Socioeconomic Studies), the expert on budget monitoring in Brazil. A year-long intense co-operation between active citizens and social workers from the Netherlands and INESC led to the launch of the Center for Budget Monitoring and Citizen Participation (Stichting Centrum voor Budgetmonitoring en Burgerparticipatie) in Amsterdam in December 2011. Read more
From The Web – Transparency International
One global movement sharing one vision: a world in which government, business, civil society and the daily lives of people are free of corruption.
In 1993, a few individuals decided to take a stance against corruption and created Transparency International. Now present in more than 100 countries, the movement works relentlessly to stir the world’s collective conscience and bring about change. Much remains to be done to stop corruption, but much has also been achieved, including:
– the creation of international anti-corruption conventions
– the prosecution of corrupt leaders and seizures of their illicitly gained riches
– national elections won and lost on tackling corruption
– companies held accountable for their behaviour both at home and abroad.
GLOBAL REACH, LOCAL KNOWLEDGE
Through more than 100 national chapters worldwide and an international secretariat in Berlin, we work with partners in government, business and civil society to put effective measures in place to tackle corruption.
INDEPENDENT AND ACCOUNTABLE
We are politically non-partisan and place great importance on our independence. We alone determine our programmes and activities – no donor has any input into Transparency International’s policies. Our sources of funding are made transparent as is our spending.
Read more: http://www.transparency.org/
From The Web – Global Voices
Global Voices is a community of more than 700 authors and 600 translators around the world who work together to bring you reports from blogs and citizen media everywhere, with emphasis on voices that are not ordinarily heard in international mainstream media.
Millions of people are blogging, podcasting, and uploading photos, videos, and information across the globe, but unless you know where to look, it can be difficult to find respected and credible voices. Our international team of authors,volunteer authors and part-time editors are active participants in the blogospheres they write about on Global Voices.
Global Voices is incorporated in the Netherlands as Stichting Global Voices, a nonprofit foundation. We do not have an office, but work as a virtual community across multiple time zones.
Our History
Global Voices was founded in 2005 by former CNN Beijing and Tokyo Bureau Chief, Rebecca MacKinnon and technologist and Africa expert, Ethan Zuckerman while they were both fellows at the Berkman Center for Internet and Society at Harvard University. The idea for the project grew out of an international bloggers’ meeting held at Harvard in December 2004 and it began as a simple blog.
Global Voices quickly expanded thanks to patronage of the Berkman Center, support from Reuters, the MacArthur Foundation, and the energy and creativity of our contributors.
Read more: http://globalvoicesonline.org
From The Web – 2013 World Press Freedom Index: Dashed Hopes After Spring
After the “Arab springs” and other protest movements that prompted many rises and falls in last year’s index, the 2013 Reporters Without Borders World Press Freedom Index marks a return to a more usual configuration.
The ranking of most countries is no longer attributable to dramatic political developments. This year’s index is a better reflection of the attitudes and intentions of governments towards media freedom in the medium or long term. The same three European countries that headed the index last year hold the top three positions again this year. For the third year running, Finland has distinguished itself as the country that most respects media freedom. It is followed by the Netherlands and Norway.
Although many criteria are considered, ranging from legislation to violence against journalists, democratic countries occupy the top of the index while dictatorial countries occupy the last three positions. Again it is the same three as last year – Turkmenistan, North Korea and Eritrea.
“The Press Freedom Index published by Reporters Without Borders does not take direct account of the kind of political system but it is clear that democracies provide better protection for the freedom to produce and circulate accurate news and information than countries where human rights are flouted,” Reporters Without Borders secretary-general Christophe Deloire said.
“In dictatorships, news providers and their families are exposed to ruthless reprisals, while in democracies news providers have to cope with the media’s economic crises and conflicts of interest. While their situation is not always comparable, we should pay tribute to all those who resist pressure whether it is aggressively focused or diffuse.”
Read more: reporters without borders
See also: http://www.freedomhouse.org
The Dutch Party for Freedom. An Analysis of Geert Wilders’ Thinking on Islam
In The Dutch Party for Freedom. An Analysis of Geert Wilders’ Thinking on Islam (Previously published as The Speck In Your Brother’s Eye), Jan Jaap de Ruiter analyses Marked for Death. Islam’s War Against The West and Me writtten by Geert Wilders, leader of the Dutch Freedom Party.
‘The solution Wilders presents involves a high risk of invoking violence, even if he states repeatedly that his program should be realized by the word and the pen. Who will give me the assurance that this would indeed be the case? Who can guarantee us that there will not be people who, like so many Christians, Muslims and French revolutionaries, will take up the sword and ‘help’ to realize their goals that way? Wilders’ book brings us nothing new. Not only that, it is also completely counter- productive. Wilders’ message is not like that of religions and ideologies, which not only have a negative but also a positive side. It is exclusively negative. He focuses on the shortcomings of the other, accuses the other of being violent by nature, and uses words that can easily be interpreted as allowing violence to fight the enemy. He acts in exactly the same way as he perceives his opponent does. He sees the speck in his brother’s eye but fails to see the log in his own.
It may very well be the case that Geert Wilders will in due time give up his position as leader of the Freedom Party and leave the Dutch political arena. He might indeed, as was suggested, join an American think tank or travel the world spreading the message of the danger of Islam. Irrespective of where his career leads him, this will not mean that the anti Islam discourse will die out. On the contrary, it is supported by numerous others and in particular on the Internet it is very strong. Therefore countering this ideology by arguments, by pamphlets like this, remains necessary.
‘Am I showing myself to be a reprehensible cultural relativist here?’, asks De Ruiter in one of the chapters. ‘Undoubtedly’, is his answer.’
The Dutch Party for Freedom. An Analysis of Geert Wilders’ Thinking on Islam now online:
Chapter One – Wartime
Chapter Two – Truth
Chapter Three – Culture
Chapter Four – Ideology
Chapter Five – Solution
Chapter Six – The Speck In Your Brother’s Eye
Norman White – But I would prefer that it sneaks in through some back door
The Normill is an old watermill in Durham (Ontario, Canada), a village 80 miles Northwest of Toronto. The big stone building next to a stunningly beautiful pond, was bought years ago by artist Norman T White (San Antonio, Texas, 1938)
The mill smells like old flour, animal carcasses and bat shit and harbours the soul of Norman White. His personal history is visible in the old photos of the Dutch fisherman relatives of his mother. The building is littered with the material his work is made of: machine parts and a bunch of old computers. The raw architecture of the construction seems hardly altered in the years White lived in it. He sleeps over the gas stove in the kitchen in a small attic. The reason why he lodges here lies in the cold winters, when snow piles up and the temperature drops below zero. The building is spacious: it has a clean working spot; a big storage space, a cellar, actually a steel workshop; a room full of closets and drawers stacked with electronics; enough room for a large bat colony that lives in the cracks in the impressive walls.
You can walk around for hours, investigate the archives, the boxes with machine parts and printed circuit boards, wired art pieces in themselves. In the corner of the cellar leans a big raft made of plastic bottles against the wall.
Norman White, in his seventies, looks young: more a boy then a man. His friends say that his looks never changed, he is the same as thirty years ago. White is a myth in and outside of Canada. He is one of the godfathers of electronic-, machine- and robotic art and taught for more then twenty five years at the Ontario College of Art and Design in Toronto. His offspring is well known in the electronic art world, Doug Back, Peter Flemming, Jeff Man, Graham Smith and David Rokeby are his former students. And they all visit his annual parties at the Normill, to celebrate their friendship with fires, swimming, music and art. Regularly artists from all over the world join and camp at the mill. White and his friends organised robot fights, machine wrestling: ‘Rawbotics & Sumo robots’ long before it became fashionable. Read more