Ammiel Alcalay – After Jews And Arabs. Remaking Levantine Culture

Ammiel Alcalay – Ills.: Joseph Sassoon Semah

Abstract
By exposing the rich and diverse textual and cultural legacy of this time and space, Alcalay reassesses the exclusion of Semitic culture in Europe from the perspective of contemporary Arabic culture and opposing images of the Israeli-Palestinian conflict.  This book will compel a revision of Jewish studies by placing contemporary Israeli culture within its Middle Eastern context and the terms of colonial, postcolonial, and multicultural discourse.

Introduction
The modern myth of the Jew as pariah, outsider and wanderer has, iron- ically enough, been translated into the postmodern myth of the Jew as “other,” an other that collapses into the equation: writing = Jew = Book. By what sleight of hand? Metaphor? Metaphysics? Such an exclusive ad- dress (whether it is an open or a closed book) ultimately obscures the necessity of mapping out a space in which the Jew was native, not a stranger but an absolute inhabitant of time and place. The urgency of reiterating not only the memory but the possibility of such a world can be felt most acutely now, upon the present scene, where the political context of “the people of the Book” has undergone a radical transformation while the terms used to record and interpret their history and culture have not only remained static but even regressed into a kind of fixed, iconic solidity.

Writing and reading—interpretation—no matter where, have a lot to do with the unearthing, the grasp, the mastery of and giving over to both presences and absences: reading as recovery and relapse; the ink of writing as lifeblood, animator, nourishment—the book as fertile ground nurtured by ink. But the “furrow,” the “fold” that may be both “history” and the “Jew,” runs the risk of diffusion, dispersion, and, finally, inertia. Like anything that looms large in a people’s memory, this field can become muddy, and these furrows turn to drainage ditches that empty out into a stillborn swamp, final resting place for what is allowed to go un- questioned, uninterpreted, and unrelated to social fact or present circum- stance. Paradoxically, the movement of memory too often reappears in the form of inert, unyielding images: resilient and indelible, their clarity is blinding. In his Commentary on the Mishnah, also known as The Eight Chapters, Maimonides wrote:

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