Performance Joseph Sassoon Semah with Friends – Display of the WOUND

No Comments yet

On Friendship / (Collateral Damage) IV
How to Explain Hare Hunting to a Dead German Artist[The usefulness of continuous measurement of the distance between Nostalgia and Melancholia]

(September 2021 – February 2023)

Display of the WOUND

Performance Joseph Sassoon Semah with Friends
Baruch Abraham
Masja Austen
Jom Semah

General Practitioner David de Boer
Balthasar Floriszstraat 23
1071 VA Amsterdam

July 10, 2022

A critical project concerning post-war artist Joseph Beuys
Created by Joseph Sassoon Semah, curator Linda Bouws

Camera & editing: Bob Schoo, www.n-p-n.info

© Stichting Metropool Internationale Kunstprojecten 2023

image_pdfimage_print
Bookmark and Share

You May Also Like

Joseph Sassoon Semah: On Friendship / (Collateral Damage) V - Between Graveyard and Museum’s Sphere

Joseph Sassoon Semah: On Friendship / (Collateral Damage) V - Between Graveyard and Museum’s Sphere
Joseph Sassoon Semah: On Friendship / (Collateral Damage) V - Between Graveyard and Museum’s Sphere

Joseph Sassoon Semah: On Friendship / (Collateral Damage) V - Between Graveyard and Museum’s Sphere
New Title - Joseph Sassoon Semah: On Friendship / (Collateral Damage) V - Between Graveyard and Museum's Sphere

New Title - Joseph Sassoon Semah: On Friendship / (Collateral Damage) V - Between Graveyard and Museum's Sphere
On Friendship / (Collateral Damage) V - Between Graveyard And Museum’s Sphere

On Friendship / (Collateral Damage) V - Between Graveyard And Museum’s Sphere
Bijeenkomst & boekpresentatie: Joseph Beuys en de naoorlogse (kunst)geschiedenis: Een ander perspectief.

Bijeenkomst & boekpresentatie: Joseph Beuys en de naoorlogse (kunst)geschiedenis: Een ander perspectief.
In Berlin, Mizrahi Activists Face An Identity Conflict Over Judicial Protests

In Berlin, Mizrahi Activists Face An Identity Conflict Over Judicial Protests
Category: On Friendship/Collateral Damage)

Comments

Leave a Reply





What is 6 + 7 ?
Please leave these two fields as-is:
IMPORTANT! To be able to proceed, you need to solve the following simple math (so we know that you are a human) :-)

  • About

    Rozenberg Quarterly aims to be a platform for academics, scientists, journalists, authors and artists, in order to offer background information and scholarly reflections that contribute to mutual understanding and dialogue in a seemingly divided world. By offering this platform, the Quarterly wants to be part of the public debate because we believe mutual understanding and the acceptance of diversity are vital conditions for universal progress. Read more...

  • Support

    Rozenberg Quarterly does not receive subsidies or grants of any kind, which is why your financial support in maintaining, expanding and keeping the site running is always welcome. You may donate any amount you wish and all donations go toward maintaining and expanding this website.

    10 euro donation:

    20 euro donation:

    Or donate any amount you like:

    Or:
    ABN AMRO Bank
    Rozenberg Publishers
    IBAN NL65 ABNA 0566 4783 23
    BIC ABNANL2A
    reference: Rozenberg Quarterly

    If you have any questions or would like more information, please see our About page or contact us: info@rozenbergquarterly.com

  • Follow us on Facebook & X & BlueSky

  • Archives